Celebrating our Biggest Achievement – Sydney Modern

Celebrating the opening of Sydney Modern – RCC’s most significant project to date

Sydney Modern is one of the most significant projects delivered by Richard Crookes Constructions (RCC) in our 46 year history. An already complex project with a bespoke design and construction approach, the RCC team also overcame challenges caused by bushfires, the pandemic and record rainfall. Throughout, we continued to execute innovative construction methods to deliver an iconic, state of the art gallery space for the community. 

In line with the Sydney Modern Project’s 6-star Green Star design rating over 8,000sqm of green roof and landscaped area planted with Australian native species and 735 solar panels have been installed, with the panels covering nearly 1,500sqm of roof top space. RCC enjoyed the challenge in the repurposing of the existing two disused World War II naval oil tanks. This resulted in a new unique art space in the southern tank, while the northern tank structure has been partially retained for the adjacent back of house area and loading dock servicing the new building. 

The Tank space in the Art Gallery of New South Wales’ new SANAA-designed building. Photograph: Jenni Carter

Navigating a unique site, the quality of the project is a testament to the hard work and dedication of the RCC project team. The building is formed by a series of pavilions, and is suspended over one of the city’s busiest freeways. Designed by Pritzker Prize-winning practice SANAA, partnering with local practice Architectus, the focus was on complimenting the location.  The new exhibition space is an expression of the city’s deep love of the Arts, and is the most significant cultural development in the city, since the opening of the Sydney Opera House nearly half a century ago.

 

Aerial view of the Art Gallery of New South Wales. Photograph: Iwan Baan

Working collaboratively to deliver on the collective vision, they were able to remain agile in the face of the challenges arising from the pandemic and record rainfall throughout the construction journey. 

Interior view featuring Takashi Murakami Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters. Photograph: Iwan Baan

It is an honour to have partnered with the Infrastructure NSW, the Art Gallery of NSW and the local community to deliver this exceptional project. We look forward to celebrating this project, and all it offers to the city of Sydney, its visitors and the Arts Community for many years to come.

 

Take a virtual tour through the newly delivered space:

 

Yayoi Kusama Flowers that Bloom in the Cosmos 2022. Photograph: Art Gallery of New South Wales, Zan Wimberley
Installation view of Francis Upritchard Here Comes Everybody 2022. Photograph: Art Gallery of New South Wales, Christopher Snee
Installation view of the Yiribana Gallery featuring (from left) Yukultji Napangati Untitled 2005, Doreen Reid Nakamarra Untitled 2007, Bobby West Tjupurrula Tingari sites around Kiwirrkura 2015 and Ronnie Tjampitjinpa Tingari fire dreaming at Wilkinkarra 2008, and (top) Yhonnie Scarce Death zephyr 2017. Photograph: Art Gallery of New South Wales, Zan Wimberley
Installation view of Lee Mingwei Spirit House 2022. Photograph: Art Gallery of New South Wales, Diana Panuccio